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For fans of: Jandek, David Grubbs, John Cage
Of all the strange music I've heard, this could very well beat them all for the strangest. It's an experimental mix of blues and minimal electronica that somehow manages to fit together quite nicely. The track "Dyin' in the Wine" even features what could be a complete dub techno track behind the guitar strums and barely comprehensible vocals. As if the strange genre blend isn't enough, there are random background sounds throughout including baby cries that give an interesting contrast between everyday life and the bizarre music in the foreground. I'm not sure this will hold up well to multiple listens, but if you like music that blends diverse styles and sounds like nothing else, you're sure to be awestruck by this. - Matthew Foster
"France's Red (aka Olivier Lambin) comes across as the aging soul that is fortified by strong wine and an innocent but overactive imagination. It is as if the man had just discovered music and the wonders of a recording device and decided to incubate himself in his garage to record one strange, chilling, yet wonderful album. The creepiest element comes from the contrast made by the sound of a very young child that can be heard crying in the background throughout a good portion of the disc while the older Lambin eerily rambles, croons and babbles away, like the ghost of Elvis Presley fused with the voice box of a horse. The rough guitar ballads (including covers of Hank Williams' "I Saw the Light" and McKinley Morgenfield's "Baby Please Don't Go") screech with honesty and passion, while other tracks are awash with loops of drones and other makeshift electronic noises. His pathological version of Talking Heads' "Road to Nowhere" is enough to make one think (and possibly worry) about what else is out there to enjoy. The next time you see a light on in someone's basement in the middle of the night, just pray that they are doing something productive like Lambin does. It is always nice to be graced by damaged beauty." - Exclaim
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